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Home / Blog / Artists & Art / Connecting Curator and Artist

Connecting Curator and Artist

Maggie Holtzberg, Folklorist

On some days, my job as a folklorist is especially gratifying. This past week I had the pleasure of facilitating a meeting between Cambodian ceramist Yary Livan and Louise Cort, Curator of Ceramics at the Smithsonian Institution’s Freer|Sackler Gallery in Washington, D.C.

Yary Livan speaking with Louise Cort.
Yary Livan speaking with Louise Cort.

It was dreary, cold, and wet on January 18 when I picked up Louise at Boston’s Logan airport. We drove the 30-odd miles north to Western Avenue Studios in Lowell where Yary Livan has studio space. Traveling with Louise was Danny Eijsermans, a Freer|Sackler Curatorial Fellow currently working on a Ph.D. in Southeast Asian art history. With deep respect and knowledge of the Khmer ceramic tradition, both Louise and Danny found an immediate rapport with Yary.

Yary pointing out blue glaze.

 

Yary Livan (left) with Danny Eijsermans looking at aspara.
Yary Livan (left) with Danny Eijsermans looking at aspara.

I first met Louise Cort in 2014 at the annual meeting of NCECA in Providence, Rhode Island. I was part of a panel that Middlesex Community College Professor Marge Rack had organized featuring the work of Yary Livan. In addition to Yary’s voice, the panel included the perspectives of a folklorist, art professor, and secondary school art teacher. It was a memorable experience, not only because of the craft of this incredible artist, but because of the stories shared and the emotions triggered by his life story. Those present learned of Yary’s training in Khmer fine arts, his surviving the Khmer Rouge Genocide, his resettlement in Lowell where he slowly regained  access to clay, the building and firing of a wood-fired kiln, and his dedication to teaching the next generation.

A year following the NCECA panel, Yary Livan was named a National Heritage Fellow, the nation’s highest honor in the folk and traditional arts. He continues to produce a wealth of new work and to mentor students.

Pouring vessel in shape of elephant.

 

Yary Livan with one of his pots.
Yary Livan with one of his pots.

Our January visit ended with a stopover at the wood fire kiln, which Yary had fired over the weekend. Then it was time for a late lunch at Palin Plaza, where Yary ordered for us, family style.

A visit to the kiln. Danny Eijsermans, Louise Cort, and Yary Livan.
A visit to the kiln. Danny Eijsermans, Louise Cort, and Yary Livan.

At the time of their visit to Lowell, Louise and Danny were preparing an exhibition at the Freer|Sackler titled“The Glazed Elephant: Historical Khmer Ceramics from the 11th-14thcentury.” The exhibit draws on the museum’s Hauge collection of glazed ceramics from the Angkorian kingdom in Cambodia. Scheduled to open April 15, 2017, the exhibit will run through the first week of July 2017.

Glazed elephant exhibit.
Glazed elephant exhibit.

Yary’s presence and work being exhibited at the Smithsonian Institution, adjacent to the nation’s National Mall is a reminder, not only of the value of our national museums as caretakers of art dating back centuries, but of our country’s recognition and support of immigrant artisans who are keepers of tradition.

This blog post originally appeared on our Keepers of Tradition blog on January 23, 2017. 


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